Monday, March 16, 2026

Blog Post 3 - Nicholas Sherrer

The Battle of Vimy Ridge in 1917 is often presented as a defining moment in Canadian history and national identity. Today many Canadians including myself, encounter this event not through direct experience, but through media artifacts such as the CBC video “Why the Battle of Vimy Ridge Matters” and the Government of Canada webpage dedicated to the Canadian National Vimy Ridge Memorial in France. To analyze how these artifacts shape our understanding of the battle, it is useful to apply Harold Innis’ concept of the bias of communication, particularly his distinction between time-biased and space-biased media. As Innis was a veteran and wounded in the war he used his time and knowledge to create and formulate many of his arguments presented after the war.


According to Innis, different communication media shape how societies transmit knowledge across time and space. Time-biased media are durable and designed to preserve knowledge and cultural memory across generations. These media are often heavy and difficult to transport examples include stone monuments, oral traditions, and other long-lasting forms of record. Because they endure, they emphasize tradition and the preservation of the past. Space-biased  media in contrast, are lightweight and easily distributed across large distances. Forms such as newspapers, broadcasting, and digital media allow information to travel quickly to wide audiences. These media prioritize reach and immediacy rather than long-term durability.


The CBC video “Why the Battle of Vimy Ridge Matters” is primarily an example of space-biased communication. As a digital broadcast distributed through platforms like YouTube, the video can reach a wide audience quickly across Canada and beyond. This accessibility allows people who may never visit the battlefield in France to learn about the event and its significance and now without ever being in the country of France I know now exactly what the monument looks like and much of its significance. The video also demonstrates how space-biased media shape historical narratives. It explains the events of April 1917, when Canadian forces captured Vimy Ridge after several days of fighting, and discusses how the meaning of the battle has changed over time. The battle has often been described as the “birth of a nation" according to the video and it is symbolizing Canadian unity and achievement during the First World War. However, the video also acknowledges that this interpretation has been debated, especially considering divisions within Canada at the time, such as those surrounding the conscription crisis. By circulating these interpretations widely, the CBC video helps shape how Canadians collectively remember the battle. It keeps the story of Vimy Ridge present in national consciousness, demonstrating how space-biased media can influence how historical events are interpreted in the present. The video is a space biased communication form but is used in a time biased way with the content and message they give throughout.


In contrast, the Canadian National Vimy Memorial represents a strongly time-biased form of communication. The monument itself is a massive stone structure designed to endure for generations and preserve the memory of Canadian soldiers who fought and died during the First World War. Monuments like this reflect Innis’ idea that time-biased media prioritize durability and the preservation of cultural memory. The memorial commemorates Canadians who served in the war and specifically honours more than 11,000 soldiers whose bodies were never recovered or identified in France. By inscribing their names in stone, the monument preserves their memory across time and creates a physical site where visitors can reflect on the past. However, the Government of Canada website that describes the memorial introduces a space-biased element. By presenting information online, the website makes knowledge about the monument accessible to people across Canada and around the world. In this sense, the site connects the time-biased monument to a space-biased digital network, allowing remembrance to extend beyond the physical location of the memorial.


Together, these artifacts illustrate a combination of time- and space-biased communication. The CBC video spreads information quickly across large audiences, demonstrating the strengths of space-biased media. The Vimy Ridge Memorial preserves historical memory across generations, exemplifying time bias. Meanwhile, the government website bridges the two by using digital communication to connect Canadians to a permanent monument located overseas. This combination reflects Innis's broader argument that societies benefit from balancing these communication biases. Space-biased media allow historical knowledge to circulate widely, while time-biased media anchor that knowledge in enduring cultural memory. I think this example is so powerful and amazing at showcasing why the two in harmon y can act as a powerful and long lasting way to give everyone now a sense of what happened and connect to the moment in Canadian history.


These artifacts do help Canadians understand the past in ways that shape the present and future. By circulating stories about Vimy Ridge and maintaining a lasting monument to the fallen soldiers, they contribute to a shared national narrative about sacrifice, unity, and the development of Canadian identity. At the same time, modern media also encourage reflection and debate about how the battle has been interpreted historically. In this way, the CBC video and the Vimy Ridge Memorial website demonstrate how communication media influence collective memory and I feel personally moved after watching and making my own understanding of this assignment. They show that remembering the past is not simply about preserving facts, but about how different media forms shape the stories that societies tell about themselves. 

3 comments:

  1. This is a really strong and thoughtful post. I like how you clearly explain Innis’s ideas and then apply them directly to both the CBC video and the Vimy Memorial. Your point about how the CBC video is space biased but still used in a time oriented way is especially interesting because it shows that media can blend both biases rather than fit into just one category. I also think your personal reflection adds a lot to the response. When you mention how the video helped you visualize the monument even without being in France, it really reinforces Innis’s idea of space biased media expanding access and reach. At the same time, your discussion of the memorial itself being time biased is clear and well connected to the idea of preserving memory across generations.

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  2. This is a great analysis of how Vimy Ridge functions as a cultural artifact through Innis’s framework. I particularly liked your point about the government website acting as a "bridge" between space-biased digital networks and the time-biased stone monument.
    To build on your point about "shared national narratives," I think we can also apply James W. Carey’s ritual view of communication. You mentioned that these media artifacts help Canadians "collectively remember" the battle. According to Carey, this is less about the transmission of historical facts and more like "attending a mass". The CBC video isn’t just giving us data; it's a drama that invites us to assume the social role of a "Canadian".
    My question for you is: Since the CBC video acknowledges that the "birth of a nation" narrative is debated, do you think the space-biased nature of the video (which prioritizes immediacy and reach) makes it easier for the public to "repair" or transform that national reality, as Carey suggests communication always does?
    Also, for anyone interested in how physical "time-biased" sites are being digitized, check out the Vimy Foundation’s "Vimy 100" digital projects. It’s a perfect example of trying to maintain a society in "time" using "space-biased" tools.

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  3. Hi Nicholas, I agree with your point that the CBC video is mainly space-biased, while the Vimy Memorial is more time-biased and the government website helps connect the two. I liked how you explained that media artifacts are a huge reasy many of us know Vimy Ridge in the first place and in the detail that we do. Even mentioning how we can picture the monument without ever going to France highlighted how evident this is. Your post made me think more about how space-biased medium can still do time-biased work by helping to preserve memory. I also liked your point about harmony between the two forms because it links well to Innis's idea about balance. Overall, your post does a strong job in showing that Vimy Ridge is not just remembered as a historical event but keeps its meaning through the communication methods that shape it. Do you think think that government website helps bring the memorial more meaning to Canadians? Or do you think it makes it feel more out of touch by turning it to a digital form?

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       The Battle of Vimy Ridge in 1917 has long been seen as a defining moment in the development of Canadian national identity. Many histo...